If you know me, then you’ve undoubtedly heard me say, there’s no such thing as a bad Godzilla movie. With the one exception of that Matthew Broderick cluster, there are few axioms more true. After streaming Godzilla vs Kong last night, I can report that my movie adage continues to hold truth.
I have to say, I was anxious about the outcome, so anxious that I almost didn’t watch it. I’m opposed to the notion of the world’s top two titans having to fight. A review I’d read implied one of them loses. I won’t spoil it for you. They fight multiple times in this movie and there are winners and losers each time. But I was almost furious with the director before even watching the movie believing the story might contemptuously slight the heroic majesty of either of these two creatures.
Kong represents the unmanageable force of nature as man exploits her resources. Kong has never been a more important symbol to all of us who want to protect nature. Godzilla is not too far off, conjured up by the folly of man. For me, Godzilla has always emerged to restore balance and harmony to the planet. Both these titans are far too noble to have to clash for our entertainment, as if they were just two more fighters on the MMA roster.
In the end, I wasn’t disappointed. My expectations panned out. Mostly. One does have to completely suspend their belief systems before watching a monster spectacle. Kong spends half the movie traveling to Antartica to enter a portal into the center of planet, only to exit later through a hundred meter tunnel under the city of Hong Kong. Perhaps the director recognized some alliterative value in having King Kong fight in Hong Kong. Who knows. The city has been relevant in the news lately. But it’s a classic error that I do fault the director for, to not include scenes in Tokyo. Toho Studio invented Godzilla and they deserve homage in every adaptation.
I suspect by now I’m coming across as some immature movie critic. A childish fan of monster movies. My appreciation does stem from my childhood. I never read the Marvel or DC comics. I subscribed to Mad Magazine in grade school, a rag that developed my appreciation for satire. I watched monster movies on Friday nights with my best friend Scott Sumner in Marion, Iowa. They would come on after Wolfman Jack’s Midnight Special and end with the National Anthem and a screen full of static around 1 am, back when people used to sleep. Zombies and vampires are okay. I like werewolves more, especially banshees, but Godzilla has always been my favorite. He, or she, says Matthew Broderick, was a monster I could sympathize with. Godzilla was the ultimate antihero.
The writing was bad in this movie, almost to be expected. Very little of the storyline was original or credible. I was fine with that. I know how hard it is from having written two novels. It was important to me for my cyberwar stories to be plausible. I based most of my attacks on real world events. But there comes a time in a fictional telling to drop all pretense in order to provide entertainment. Godzilla vs Kong was decent entertainment. And, despite the absence of a Tokyo presence, the storyline remained intact enough to satisfy old fans like myself.